The Cockermouth town center was first conceived by two leading leaders as a canonical example of enlightened industry management. They were not the only entrepreneurs of their time who wanted to reconcile the seemingly antagonistic interests of capital and labor, although they were only a tiny minority. Starting with the paternalistic discourse, we will have to determine where economic and humanitarian considerations are interdependent, however, endowed the village with a unique mission in the industrial landscape of its time.
As far as we know, no other British working village had prototype functions during the study period. This form of settlement, as a rule, offered above-average living and working conditions, but they did it in a self-referential way.
On the contrary, he sees the Derwent Mills industrial location as a model, in itself, on the public stage, as a quality living environment and as an example to follow in order to ensure the order and progress of the nation. A statement of his business policy is the basis of his first published book, Derwent Mills industrial location, in which he reveals the philosophy of a determinate entity. Only a rational line environment can stop the harmful social consequences of the industrial revolution. Upon arrival at the head of the company, he presented the site as the site of a real social experiment designed to prove to the world the validity of his doctrine, thereby endowing it with the value of science. society.
Such a reading puts historical continuity at a crucial moment between the French Revolution and the creation of the Labor Party. Thus, the industrial office space, like the crucible of avenism, is moving from the status of an enlightened business model to a fundamental myth in accordance with the reputation of the predecessor assigned to its most famous ruler. “Mother Church” or “source of socialism”, the workers’ village has become a symbol that is both unusual and coordinated. His cult status is particularly noticeable in the cooperative movement, whose political wing, the Cooperative Party, is associated with the Labor Party.
Outside the UK, Derwent Mills is primarily known as one of the representatives of the terminology introduced in the manifest. This distinction between the now canonical has revealed the alleged supporters of the first radical thought in childhood, saturated with good intentions, but served by an overflow of idealism.
Given that a unique and exemplary nature should be based on a harmonious coexistence of interests, it is not surprising that music and dance were especially celebrated during social events that emphasize from the village. Before the founding of schools, there was already an orchestra. The date of its foundation is unknown to us, but its presence is attested. On this date, an article was published for the press, which mentioned the presence of the village musicians accompanying the procession of the parish students during the ceremony.
This presence of musical fact in the life of a working village is not limited, given the importance of harmonies in a factory context. Oron music developed throughout Europe in the nineteenth century thanks to fanfares, village orchestras and choirs. These musical practices, intended for people with philanthropic circles and enlightened employers, are primarily designed for function, with a clearly defined mission aimed at reassuring popular classes, teaching them courtesy, courtesy and decency.
This normative dimension is quite present with one significant difference. In addition to its requirements for the discipline of the body and mind, which make it an activity that it considers respectable and, therefore, worthy of being instilled in popular classes, music also carries fundamental symbolism.
Universal language, collective musical activity encourages and promotes cooperation and community spirit, as it acts as a cement between artists and the public, the ability to value music and / or practice it, surpassing a priori class, gender and nationality boundaries. It should also be noted that the orchestra itself played an integrative role, being mainly composed of blind and disabled people by birth, who therefore could not perform work as a worker or artisan.
Having received a reward from this obligation, the musicians thus found in the orchestra a means of getting rid of the need, which their physical condition could be limited in other circumstances. In a broader sense, these concerts provided an opportunity to demonstrate to both members of the community and beyond its exceptional character, thanks to this unusual for that time alliance of the population originating from the working class and limited activities such as court dances and ensemble music, usually described in exquisite circles.